Campo obligatorio; no debe dejarse en blanco.

What was extraordinary about Ledouxs work of the Saltworks is that it proposed a new model for living, a new hole set of politics, based on a very clear idea of the order of things.

I think works of art cannot only serve as a critique, they also have to be in the process propositive. If not they just fall into a category that mimics life as it is. Almost like Franks Stella "What you see is what you see". 

For so I feel super ambivalent towards Superflex work, which I need to further explore.